Online gallery

View my work here in my online gallery

Family portrait - Acrylic 60x90 - Our daughter is named after Theodora, nicknamed Dora. Picasso's muse was Dora. I used Picasso's painting of Dora as a model, and I used our daughter's profile for it, adapting the other family members accordingly.
Our family - Acrylic 30x40
The fire people - Acrylic 50X70 - I got my inspiration from the song by Ramon van het Groenewoud: Beloved believers And give me fire (give me fire) And give me fire (give me fire) No, not a match of course, but passion every hour Some fire people have already been extinguished, or they are at their hottest and some are just beginning.
Daughter - Acrylic 30x30 (x3) - You have your daughter almost entirely to yourself until she is 10. In her teenage years, you have a little less of her. When she is an adult woman, you only have a small part of her left. The curator of Pachmin Art told a different story: if you look from right to left, you see a little girl with only a few impressions and ideas in her being. As she grows older, you see her personality developing more and more. The rightmost image shows her as a mature woman with her own ideas and will, with her own wisdom and being.
Spoonful spoonful - Acrylic 40x100 (x2) - I was trying out a new technique for a background; I drew a man and a woman in a line. Someone asked me why they weren't looking at each other. "They've always been like that," I said. To which a third person said: spooning. And that's how the title was born.
Moving - Acrylic 20x60 (x4)
The shadow man - Acrylic 40x50 - When we were in Indonesia, I went to a batik painting exhibition and bought a beautiful one. After a while, back home and at work, I remembered a painting that hung there and tried to recall it from my memory, and this is the result. Very different from the original, but still true to my feelings.
Mr. Bojangels - Acrylic 30x40 - I tried to paint a "head," but it was too long. I put a hat on it.
War violence - Acrylic 40x50
Abandoned - Acrylic 30x40
Veni Vidi Vici - Acrylic 30x40
Angry man - Acrylic 30x40 - I paint these heads just to calm my mind. I only give them titles once they're finished, because I never know what will come out of my brush.
To see - I see, I saw, I have seen, I am seen!
Car-free Sunday in New York - Oil painting 50x50 - I couldn't get the cars and yellow taxis painted. Hence my title.
Carnival in the city - Acrylic 100x120
The Favelas in Rio de Janeiro - Acrylic 70x90
The Blue City - Acrylic 90x90
The Soviet city - Acrylic 90x90 - All the blocks were/are the same, maybe with different colored curtains. Everyone was equal, on paper.
The ordered city - Acrylic 70x90
Important city - Acrylic 100x120
The chaotic city - Acrylic 100x12
Twin City - Twin City
Connected - Acrylic 120x160
Connected - Acrylic 40x120 (x3)
Connected - Acrylic 60x80 (x4)
Connected - Acrylic 24x30 (x9) - The entire world, northeast-southwest, rich and poor, cold and warm regions, all races and all countries are connected, in other words, dependent on each other. I have expressed this dependence in paintings. 1 or 4 or 9, they all symbolize the same thing: connection with each other.
Finding Pikachu - Acrylic 20x60 (x7) - We were in a museum in Palma de Mallorca, the capital of Mallorca, where a beautiful yellow and slightly black painting hung. After giving it a good once-over, I told my husband: the painter forgot to put Pikachu in it. Here's my interpretation of a painting with Pikachu.
Painter's palette - Acrylic 20x20 (x4) - While painting, I liked the palette I was using so much that I ended up using smaller canvases as my palette. See the result here.
Shadow Mona Lisa
Me, Myself and I
Prisoned in my own trauma

Family portrait - Acrylic 60x90 - Our daughter is named after Theodora, nicknamed Dora. Picasso's muse was Dora. I used Picasso's painting of Dora as a model, and I used our daughter's profile for it, adapting the other family members accordingly.
Our family - Acrylic 30x40
Daughter - Acrylic 30x30 (x3) - You have your daughter almost entirely to yourself until she is 10. In her teenage years, you have a little less of her. When she is an adult woman, you only have a small part of her left. The curator of Pachmin Art told a different story: if you look from right to left, you see a little girl with only a few impressions and ideas in her being. As she grows older, you see her personality developing more and more. The rightmost image shows her as a mature woman with her own ideas and will, with her own wisdom and being.
Me, Myself and I
Prisoned in my own trauma

The fire people - Acrylic 50X70 - I got my inspiration from the song by Ramon van het Groenewoud: Beloved believers And give me fire (give me fire) And give me fire (give me fire) No, not a match of course, but passion every hour Some fire people have already been extinguished, or they are at their hottest and some are just beginning.
Spoonful spoonful - Acrylic 40x100 (x2) - I was trying out a new technique for a background; I drew a man and a woman in a line. Someone asked me why they weren't looking at each other. "They've always been like that," I said. To which a third person said: spooning. And that's how the title was born.
Moving - Acrylic 20x60 (x4)
The shadow man - Acrylic 40x50 - When we were in Indonesia, I went to a batik painting exhibition and bought a beautiful one. After a while, back home and at work, I remembered a painting that hung there and tried to recall it from my memory, and this is the result. Very different from the original, but still true to my feelings.
Mr. Bojangels - Acrylic 30x40 - I tried to paint a "head," but it was too long. I put a hat on it.
War violence - Acrylic 40x50
Abandoned - Acrylic 30x40
Veni Vidi Vici - Acrylic 30x40
Angry man - Acrylic 30x40 - I paint these heads just to calm my mind. I only give them titles once they're finished, because I never know what will come out of my brush.
To see - I see, I saw, I have seen, I am seen!
Shadow Mona Lisa

Car-free Sunday in New York - Oil painting 50x50 - I couldn't get the cars and yellow taxis painted. Hence my title.
Carnival in the city - Acrylic 100x120
The Favelas in Rio de Janeiro - Acrylic 70x90
The Blue City - Acrylic 90x90
The Soviet city - Acrylic 90x90 - All the blocks were/are the same, maybe with different colored curtains. Everyone was equal, on paper.
The ordered city - Acrylic 70x90
Important city - Acrylic 100x120
The chaotic city - Acrylic 100x12
Twin City - Twin City

Connected - Acrylic 120x160
Connected - Acrylic 40x120 (x3)
Connected - Acrylic 60x80 (x4)
Connected - Acrylic 24x30 (x9) - The entire world, northeast-southwest, rich and poor, cold and warm regions, all races and all countries are connected, in other words, dependent on each other. I have expressed this dependence in paintings. 1 or 4 or 9, they all symbolize the same thing: connection with each other.

Finding Pikachu - Acrylic 20x60 (x7) - We were in a museum in Palma de Mallorca, the capital of Mallorca, where a beautiful yellow and slightly black painting hung. After giving it a good once-over, I told my husband: the painter forgot to put Pikachu in it. Here's my interpretation of a painting with Pikachu.
Painter's palette - Acrylic 20x20 (x4) - While painting, I liked the palette I was using so much that I ended up using smaller canvases as my palette. See the result here.